The Secret Life of Songs
Award-winning music analysis podcast, The Secret Life of Songs, returns with a new series exploring classic songs from the 1970s and 80s. Hear how the fallout from the disappointed hopes of the 1960s was explored in the work of Sly Stone and Joni Mitchell, how the unearthly new sounds unlocked by radical new music technology was used to express both utopian and dystopian impulses by Giorgio Moroder and the originators of Detroit Techno, and how the era’s most divisive cultural concept - postmodernism - was uncannily reflected in the output of the era’s most divisive pop band - ABBA. All of this - and more - is presented by host Anthony in his inimitable style: deftly weaving fine-grained musical analysis, historical context and philosophical reflection with his own impassioned recreations of the music to produce embodied, thoroughly grounded and deeply personal insights into these wonderful songs.
Winner of the bronze award in 'Best Arts & Culture Podcast' at the British Podcast Awards 2021.
The Secret Life of Songs
#13 - SOS / ABBA
Has there ever been a pop band which has been as loved - and as hated - as ABBA? Even in the period before they appeared on the Eurovision Song Contest, when they were only well-known in Sweden, there were protests held and satirical songs written about them. In parallel with the long history of critical condemnations of ABBA, however, they have attracted greater love and admiration, from a wider range of listeners, than perhaps any other band of the era. What explains this range of reactions to them and why are they still so popular decades after their late-70s heydey? I break down their early hit, ‘SOS’, among others, to try to answer the surprisingly tricky question of what we’re listening to when we listen to ABBA.
All the songs discussed in this episode, including the original recording of 'SOS' can be heard here. If you've enjoyed it, please leave a review on Apple podcasts; thank you.
With very special thanks to Paul Wierdak, the producer of this episode.